TrAIN Open Lecture, 9th Feb: Inti Guerrero: FLAVIO DE CARVALHO ANDHIS 'CITY FOR THE NAKED MAN'
RSVP to TrAIN Administrator: [email protected] | for more information please visit:www.transnational.org.uk
Flávio de Carvalho, design drawing of New Look; Summer Fashion for a New Man of the Tropics
and Experiência no.3, 1956, downtown São Paulo
TrAIN Open Lecture
FLAVIO DE CARVALHO AND HIS ‘CITY FOR THE NAKED MAN’
| INTI GUERRERO |
9th February, 17:15 - 19:00
Lecture Theatre - Chelsea College of Art and Design, SW1P 4JU (Atterbury Street entrance)
This event is free and open to all, but places are limited, so please RSVP to[email protected]
From an anthropophagic urban master plan to an exhibition; a possible curatorial translation of a 1930’s utopia to build a new city in the tropics without god, property, nor marriage. A metropolis for a 'naked mankind' stripped from its cultural constructs.
In 1930 artist and architect Flavio de Carvalho (1899-1973), known to be the enfant terrible of Brazil's avant-garde, proposed to build a new city in the tropics that would have no god, property, nor marriage. He envisioned an urban scenario for a ‘naked mankind’ that would have stripped itself from its cultural body, or in his words, a man without ‘scholastic taboos, free for reasoning and thinking’ in order to begin a painstaking process of wonderment, change and self-transformation. De Carvalho's utopia was set to be a constellation of centres and laboratories; the city's ‘Laboratory of erotica’, was thought of as a place where ‘the naked man would select his own erotic forms, […] where he could orient his energy toward any direction, without repression; where he would fulfil his desires, discover new desires.’ By understanding the experience of sexuality as a kind of libido without a predetermined perspective, that is, without a predetermined constructed desire, but as a continuous rhizomatic experience, which would bifurcate according to the individual's subjectivity, Flavio de Carvalho, by 1930 seemed to propose an architectural ‘blueprint’ which sought to dissolve any socio-cultural fixation regarding people’s sexuality and corporality.
In 2010, curator, Inti Guerrero, created a group exhibition titled 'The City of the Naked Man' at the Museum of Modern Art of Sao Paulo, which embarked on a curatorial translation of Flavio de Carvalho's aforementioned transgressive spirit. The exhibition included: works by international contemporary artists; documentation of a 1956 street performance by Flavio de Carvalho, where he cross-dressed to a tropical male fashion he'd designed; and other cultural artefacts and manifestations related to the subject, such as visual and musical material of Brazil's rock-glam singer Ney Matogrosso. Guerrero will first give an art historical background to the practice of De Carvalho, and share the curatorial grammar he built up in order to touch upon other key subtexts within 'Brazilian culture' such as the Antropofagia avant-garde, the construction of Brasilia and the counter-culture movement of Tropicalia.
RSVP to TrAIN Administrator: [email protected] | for more information please visit:www.transnational.org.uk
Inti Guerrero’s essay on the artist for Afterall no. 24 (Summer, 2010):
Blog/Website of ‘'The City of the Naked Man' exhibition:
www.acidadedohomemnu.blogspot.com
Reviews of ‘'The City of the Naked Man' exhibition:
By art critic and MHKA Antwerp's curator, Dieter Roelstraete: www.springerin.at/dyn/heft_text.php?textid=2382&lang=en
By curators and critics Miguel Lopez and Fernanda Nogeira (English and Spanish):
www.artecontexto.com/es/leer_en_linea-26.html
