The Continuing story of Ai Weiwei, Mark Bradford & Toby ziegler, Landseaky, Yuz Museum opens
As we speak, a multitude of porcelain crabs, ceramic pots, bicycles and wooden stools are crowding the kunsthalle Martin Gropius Bau courtesy of Ai Weiwei – yet Chris Moore finds the artist’s presence lacking. For Paul Gladston, however, recent events have made him present to the point of farce. Read his comments in “The (Continuing) Story of Ai” this week.
For an aesthetic counterpoint, look to our combined review of solo exhibitions by Mark Bradford and Toby Ziegler in Hong Kong, or the far horizons presented in “Landseasky” at OCAT Shanghai.
It has not escaped our notice that the Yuz Museum has opened: Rebecca Catching casts a critical eye over this long-awaited private museum. In news this week, Randian features West Bund art and design, plus repatriation after 100 years….
此时此刻,
柏林的马丁葛罗比乌斯博物馆里正在展出艾未未的那些陶瓷蟹、陶罐、自行车、凳子,然而,墨虎恺却认为艺术家本人是缺席的。葛思谛则持相反观点,在《艾未未未完待续的故事》中认为他最近的一系列活动更像是一出闹剧。 一系列展评也许可以帮人换换胃口,其中包括马克·布拉德福德与托比•齐格勒在香港白立方画廊的展览,以及OCAT上海馆的群展《海陆空》里呈现的那些飘渺的地平线。 期待已久的余德耀美术馆终于开馆了,请见林白丽对此盛况的解读。本周新闻包括“西岸艺术与设计博览会”、商代青铜酒器皿方罍跨越百年的“合体”、首届新疆国际艺术双年展,而故宫则既将实行年票制....... |