Bibliografia
ALLWOOD, J. The great Exhibitions, Studio Via, Londres, 1977. ANDREOTTI, Libero and COSTA, Xavier, eds. Situationists: Art, Politics, Urbanism. Barcelona: ACTAR, 1996. ASCHER, F. La Metapolis. Ou lávenir de la Ville, Odile Jacob. Paris, 1995. AUGÉ, Marc. Não-Lugares; Introdução a uma antropologia da supermodernidade, Campinas, Papirus, 1994. BERMANN, m. Tudo que é Sólido se Desmancha no Ar. A Aventura da Modernidade. Companhia das Letras, São Paulo, 1986. DEBORD, Guy. A sociedade do Espetáculo. Editora Contraponto, 1977. http://hdl.handle.net/1904/4335 GARCIA Canclini, N., Culturas Hybridas, Grijalbo, Mejico D.F.,1989. MUNTADAS, Antoni. On Translation. KWON, Miwon. “The Wrong Place”. in Art Journal. Spring, 2000. pp 33. _____________.”One Place after Another; site-specific art and locational identity”. Cambridge, MIT, 2002. capítulo 06: By Way of a Conclusion: One Place After Another. pp 156-167. LACY, Suzanne. Mapping the Terrain: New Genre Public Art. Bay Press, Seattle Washington. 1995. MEYER, James. The Functional Site; or, the transformation of site-specificity. in Suderburg, Érika (ed). “Space, Site, Intervention; Situation Installation Art”. Minneapolis: University of Minesotta Press, 2000. pp 23-37. NAN, Ellin, ed. Architecture of Fear. Princenton Architectural Press, NY. 1997. MUNTADAS, Antoni. On Translation. Actar, MACBA, Barcelona. PIETROMARCHI, Bartolomeu. The Uncommon Place: Art, Public Space and Aesthetics in Europe. SORKIN, Michael (ed). “Variation on a Theme of a Park: The New American City and the End of Public Space”. SUDERBURG, Érika. Introduction: On Installation and Site-Specificity. in Suderburg, Érika (ed). “Space, Site, Intervention; Situation Installation Art”. Minneapolis: University of Minesotta Press, 2000. pp 01-22. VIDLER, Anthony. Warped Space; Art, Architecture, and Anxiety in Modern Culture Cambridge, MIT, 2000.